Hey there, movie buffs! If you’re on the lookout for a film that’s both gripping and emotionally charged, look no further than Jeetu Joseph’s latest creation. Trust me, it’s not just another run-of-the-mill flick; it’s a rollercoaster ride of emotions that might just surpass even the famed Drishyam series, giving Malayalam cinema a major boost on the big stage.
Neru Story Line
Straight off the bat, Neru plunges you into the story without holding back. Meet Sara, brilliantly portrayed by Anaswara Rajan, a young artist who happens to be blind. She faces an unimaginable ordeal, and the tricky part? Gathering evidence is tough when you can’t see. But here’s the kicker—Sara’s exceptional talent as a sculptor helps the cops nail a suspect based on her clay sculpture. And so begins the courtroom showdown, where the might of wealth and influence clashes with the word of a blind girl.
Neru Review
Enter Siddique and Priyamani as a legal duo representing the accused, hailing from a loaded, politically connected family. But things take a twist when the accused walks free due to a fumbling prosecutor. Enter stage right: Vijayamohan, portrayed by the brilliant Mohanlal, reluctantly stepping into the legal battle. Cue the David vs. Goliath vibes, folks!
What makes this film a nail-biter? The tension is palpable, keeping you glued to the screen for a full 152 minutes. There’s manipulation of evidence, heart-wrenching courtroom battles, and a powerful glimpse into the struggles of seeking justice.
Props to Santhi Mayadevi for a sweet role alongside Mohanlal and kudos to Jeethu Joseph for weaving a timely narrative. While not a mirror image of our justice system, it touches on crucial issues that’ll get you thinking.
The dialogues hit home—Sara’s fierce stance on consent, her father’s poignant reflections—it’s all thought-provoking. But it’s not all heavy—there’s a beautiful portrayal of Sara and her parents’ tender relationship amidst tragedy, plus some well-executed character dynamics and friendships.
And that penultimate scene? Brace yourselves, it’s a moment of empowerment as Sara unveils her face, not for others but for herself, standing tall and unashamed.
Mohanlal‘s performance is a masterclass in subtlety, but it’s the ensemble that truly shines. Anaswara’s portrayal is a standout, effortlessly shifting between vulnerability and resilience. And that final scene between Sara and Vijayamohan? It hits you right in the feels.
Let’s not forget the magic behind the scenes—Vishnu Shyam’s music perfectly complements the film’s tempo, while Satheesh Kurup’s cinematography not only builds momentum but also gives us a peek into the characters’ worlds.
Unlike Drishyam, Neru opts for a more grounded storyline without losing its mass appeal. This one’s a winner, folks, catering to all audiences alike.
